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“Catcher in the Rye” and “Less Than Zero”
A look at the discourse of youth in the novels "Catcher in the Rye" by J.D. Salinger and Brett Easton Ellis' "Less Than Zero". -- 1,000 words; MLA

"Catcher in the Rye"
An examination of the role of symbolism in J.D. Salinger’s "Catcher in the Rye". -- 1,053 words; MLA

"The Catcher in the Rye"
A review of the novel, "The Catcher in the Rye", by J.D. Salinger with a focus on the character of Holden. -- 1,936 words; MLA

“The Catcher in the Rye”
An analysis of the narrative intentions of “The Catcher in the Rye” by J. D. Salinger. -- 2,072 words; MLA

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Symbolism and image patterns in "The Catcher in the Rye" by J. D. Salinger. -- 900 words;

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CATCHER IN THE RYE

Steven Boldis January 7,1999
English 9 Mr. Moratto
The Catcher in the Rye
In The Catcher in the Rye, Holden views the world as an evil and corrupt place where
there is no peace. This perception of the world does not change significantly through the
novel. However as the novel progresses, Holden gradually comes to the realization that he
is powerless to change this.
During the short period of Holden's life covered in this book, Holden does succeed in
making us believe that the world is crazy. Shortly after Holden leaves Pencey Prep he
checks in to the EdmontHotel. This is where Holden's turmoil begins. Holden spends the
following evening in this hotel which was full of perverts and morons. (There were)
screwballs all over the place. His situation only deteriorates from this point on as the
more he looks around this world, the more depressing life seems.
Around every corner Holden sees evil. He looks out on a world, which appears completely
immoral. The three days we learn of from the novel place a distressed Holden in the are
of Manhattan. The city is decked with decorations and holiday splendor, yet, much to
Holden's
despair seldom yields any occasions of peace, charity or even genuine merriment. Holden
is surrounded by what he views as drunks, perverts, morons and screwballs. These
convictions which Holden holds waver very momentarily during only one particular scene in
the book. The scene is that with Mr. Antolini. After Mr. Antolini patted Holden on the
head while he was sleeping, Holden jumped up and ran out thinking that Mr. Antolini was a
pervert as well. This is the only time during the novel where Holden thinks twice about
considering someone as a pervert. After reviewing Mr. Antolini, Holden finally concludes
that maybe he wasn't making a flirty pass at him. Maybe he just like patting guys heads
as they sleep. This is really the only time in the novel where Holden actually considers
a positive side. This event does not constitute a significant change. As Holden himself
says, It's not too bad when the sun's out, but the sun only comes out when it feels like
coming out. The sun of course is a reference to decency through the common association of
light and goodness. His perception of the world remains the same.
The one conviction that does change during the novel is Holden's belief that he can
change the world. On his date with Sally, Holden reveals his feelings. Did you ever get
fed up?... I mean did you ever get scared that everything was going to go lousy unless
you did something...Holden goes through several plans. Holden at one point contemplates
heading out west where he will pretend to be a deaf-mute and live a quiet life. At
another point Holden proposes to Sally to escape this world with him. It is finally to
his younger sister Phoebe that Holden reveals his ultimate plan. Although Holden
describes the situation in a very picturesque and symbolic manner he essentially tells
Phoebe that he wants to prevent children from growing up. He
blames the world's corruption on adults and believes that when he stops the children from
growing up he will preserve their innocence and save the world.
It takes most of the book before Holden begins to realize that he is helpless to stop
this corruption. Finally, he realizes that not only is there nothing that he can do, but
there is nowhere he can go to hide from it. Holden takes awhile to comprehend these
concepts. One good example is when Holden is delivering the note to his sister. He
encounters a *censored*-you written on the wall. Holden careful rubs this off with his
hand so as to protect the innocent children from reading it. Later on he finds
*censored*-you scratched into the surface with a knife. He discovers that he can't efface
this one. Even in the timeless peace of the Egyptian tomb room at the museum there is an
un-erasable *censored*-you. This incident is the beginning of Holden's realization that
his dreams are infeasible.
Strangely enough, it is one of the innocent children that he is trying to protect who
helps him come to terms with this realization. It is Phoebe who challenges his plan to
escape out west. As he is telling Phoebe that she can not run away, he discovers that he
too can not run away. You can't ever find a place that is nice and peaceful, because
there isn't any. The final break - down comes near the end of the book when he is
watching Phoebe on the carousel.
All the kids kept trying to grab for the gold ring, and so was old Phoebe, and I was sort
of afraid she'd fall off the goddam horse, but I didn't say anything or do anything. The
thing with kids is, if they want to grab for the gold ring, you have to let them do it,
and not say anything. If they fall off, they fall off, but it's bad if you say anything
to them. In the above passage from the novel, Holden hits the final breakdown. Being the
catcher becomes obviously unrealistic. The gold rings are ironically not gold but really
brass-plated iron. The gold rings are symbols of the corrupted world which always wears a
shiny surface to hide its evil. It is at this point that Holden sees that he can not stop
children from growing up and therefore losing their innocence. They will fall if they
fall, there is nothing that can be done.
Shortly after this point Holden has his nervous breakdown. His breakdown is due to this
depressing realization that the world is corrupt and filled with evil. He knows now with
a sickening certainty that he is powerless to stop both evil and maturation. As a matter
of fact, it is bad to do so.

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