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"Mary Shelley's Frankenstein" ( Kenneth Branagh ) and "Frankenstein" by Mary Shelley
This paper compares the film director Kenneth Branagh's and book author Mary Shelley's depictions of "Mary Shelley's Frankenstein" and "Frankenstein" respectively: Characters, relationships, plot, focus, images, pacing and style -- 1,350 words;

Victor Frankenstein
A discussion of the irrationality of the character of Victor Frankenstein in Mary Shelley's "Frankenstein". -- 987 words; MLA

"Frankenstein"
An analysis of the significance of thunderstorms in "Frankenstein," by Mary Wollstonecraft Shelley, as discussed by John Clubbe in his article "The Tempest-toss'd Summer of 1816: Mary Shelley's Frankenstein." -- 1,032 words; MLA

Film: "Frankenstein" (1931)
This paper examines the societal aspects of the classic Frankenstein story as presented in the 1931 film production of "Frankenstein", directed by James Whale. -- 925 words;

"Frankenstein" and "The Birthmark"
A comparative analysis of the characters of Alymer and Frankenstein in Mary Shelley's "Frankenstein" and Nathaniel Hawthorne's "The Birthmark". -- 920 words; MLA

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FRANKENSTEIN

Mary Shelley's Frankenstein has been hailed as one of the best horror stories ever. The
title, Frankenstein, is the last name of the creator of the infamous Frankenstein's
monster, Dr. Victor Frankenstein. His is a story of the great pain suffered by
Frankenstein and his monster and people's misunderstanding of the poor creature. All his
efforts to find a companion are useless, as society shuns him for his horrid figure.
Although the story is told by Dr. Frankenstein through Robert Walton, an arctic explorer,
the antagonist seems to be his monster. Despite his gruesome appearance, this being
composed of various cadaver parts starts out as a compassionate creature longing for
companionship and curious of how he came to be. He desperately tries to befriend members
of society, but utterly fails at each attempt. His appearance earns him no sympathy, but
loathing from his creator and townspeople alike. For example, after secretly living with
a poor family for more than a year, he decides to approach the father, a blind old man.
The creature reasons that since the old man cannot see him, he will not be repulsed by
the monster's form, thus providing companionship for the creature. As the two talk, the
old man responds to the plight of the stranger. However, the monster's wish for
friendship does not come true for the old man's children return home to find their blind
father with a gigantic monster. The old man's son attacks the monster, but instead of
killing the boy, he runs away, overcome by despair and anguish. The creature decides to
request Frankenstein make a female version of himself. Frankenstein refuses at first,
saying that creating another might destroy mankind, but the monster says to him:
You are in the wrong, and instead of threatening, I am content to reason with you. I am
malicious because I am miserable. Am I not shunned and hated by all mankind? You, my
creator, would tear me to pieces and triumph... Shall I respect man when he condemns me?
...What I ask of you is reasonable and moderate; I demand another creature of another
sex, but as hideous as myself... it shall content me. It is true, we shall be monsters
cut off from all the world; but on that account we shall be more attached to one another.
Our lives will not be happy, but they will be harmless... Oh! My creator, make me
happy... Let me see that I excite the sympathy of some existing thing; do not deny me my
request! (182-184)
This plea moves Frankenstein and he agrees to his request. Nevertheless, Frankenstein
later reconsiders his decision and sends the monster on a killing spree.
Because of this, Frankenstein himself is the antagonist of his own story. He and society
contribute to the sorrow of the monster through their negative responses. Frankenstein
feels like he is doing the right thing by rejecting the monster, but does not realize
that the scorn directed toward the creature by himself and society are the cause of his
murderous actions. When asked to create a mate for the creature, Frankenstein responds,
"Shall I... set loose... a [demon] whose delight is in death...? I am firm, and your
words will only exasperate my rage" (212).
The story actually begins with Robert Walton, whose ship finds a man near death in the
arctic regions. He is taken aboard and nursed back to health. Upon recovery, he tells his
story to Walton.
His name is Victor Frankenstein and he grew up fascinated with alchemy and various other
sciences. He tried to discover the procedure to overcome aging and death, and finally
created life from various parts of cadavers put together to form a gigantic humanoid
creature. Once given life, Frankenstein was horrified by the monstrosity of his own
creation and flees. He went into a coma for about two years, not knowing what became of
his creation. One day, he received a letter saying his little brother had been murdered.
The girl accused was a friend of the family and Victor was sure that his monster was the
murderer, not the girl. However, there was nothing Frankenstein could do so the girl was
executed for the murder of the boy.
Mourning two deaths, Frankenstein ventured alone into the mountains and was confronted by
the monster. It told him how it survived for the previous two years, living in a deserted
shack of a poor family. In his hovel, he observed the family through a crack in the wall.
By doing so, he was able to learn to speak, read, and write. After this, he found
Victor's journal and learned of his origin. He decided to search for his creator in order
to ask for a companion, one who would not reject him. He promised he and his mate would
leave all civilization alone, never to be seen again. Victor reluctantly agreed and began
work.
Later, however, he began to ponder the consequences of his work and changed his mind. He
was afraid that the two monsters together would begin a race of monsters to terrorize
humanity. He therefore destroyed his work and the creature appeared and threatened
vengeance, saying that he would be there on Frankenstein's wedding night.
Soon afterward, Frankenstein discovered his closest friend had been strangled to death.
Despite the creature's warning, Victor went on with the wedding. On their wedding night,
he heard screaming from their hotel room and found his wife also strangled by the
creature as the creature faded into the darkness. Frankenstein then vows to find the
monster and destroy it once and for all. His pursuit led him to the arctic, where
Walton's ship found him.
Shortly after completing his story, Frankenstein dies, and the monster appears. He tells
Walton that he plans to make a gigantic funeral bier and burn himself in the fire and
disappears in the darkness.
The monster was tormented by his conflict with society to the point of murder. He had a
great desire for companionship and to be accepted by people. It is actually
Frankenstein's own fault that people dear to him perished. He knew this, and it made him
feel that much worse and focused his resentment on the monster. This resentment made him
too stubborn to see the monster's true colors, causing him to brand it as a cold-blooded
murderer. If only he saw how the monster was really just starved for affection, his life
and mind could have been saved, as well as his family. The monster could not handle the
amount of rejection endured and let out his frustration on Victor's family and friends.
The conflict was primarily between the monster and society, as well as Frankenstein. He
wondered if Satan might be a symbol of his own condition. Like Satan, he too was rejected
by his creator (165). Chapters eleven through sixteen illustrate the desire for the
monster to become a humane creature through his portrayal of life in the shack of the De
Laceys.
Mary Shelley wrote Frankenstein in an interesting way. The monster's story is told
through Frankenstein's story, which is told through Walton's journal. Shelley herself was
able to express the despair felt by the monster and the grief and shock felt by
Frankenstein. Emotions were a big element of this story. This has also been referred to
as a great gothic story. By gothic, one means that the author emphasizes the grotesque
(such as the monster), the mysterious (for instance, how the monster was actually created
or how it followed Frankenstein), the desolate environment (as in the story's beginning
and ending in the arctic), the horrible (all the murders, for example), the ghostly
(specters and eerie situations), and the absolute fear aroused in the reader. One example
of the grotesque quality of Frankenstein is where Dr. Frankenstein says of his creation:
His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was
of a lustrous black, and flowing; his teeth of pearly whiteness; but these luxuriances
only formed a more horrid contrast with his watery eyes, that seemed almost of the same
colour as the dun-white sockets in which they were set, his shrivelled complexion and
straight black lips. (69)
I could honestly say I rather enjoyed this novel. I actually felt sympathy for the
monster and wanted for it to find companionship. It made me think about how some people
may seem bad, but are really just misunderstood, exactly like the monster in
Frankenstein. All he wanted was compassion and understanding, like any person. When
denied this, his frustration drove him mad and forced him to express himself in a
murderous rage.

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