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Macbeth and Lady Macbeth in Shakespeare's Play
Discusses how the contrast in the scenes leading up to and following Duncan's death enhances the characterizations of Macbeth and Lady Macbeth. -- 650 words;

Characters of Macbeth and Lady Macbeth
A literary analysis of Shakespeare's "Macbeth". -- 650 words;

Macbeth's Clothing
An analysis of the theme of ambition within three motifs of clothing in 'Macbeth' by William Shakespeare. -- 900 words;

Magic and Macbeth
This paper studies the concept of black magic in "Macbeth" by William Shakespeare. -- 675 words;

Insanity in 'Hamlet' and 'Macbeth'
This paper discusses the theme of insanity as demonstrated in the plays "Hamlet" and "Macbeth" by William Shakespeare. -- 1,800 words;

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MACBETH

A Sample Macbeth Analysis 
by Kushal Dave
People have a hard time getting what they want; in fact, the things they want can be
incompatible with each other. A German physicist named Werner Heisenberg discovered an
analogous phenomenon with his uncertainty principle. Studying matter at the atomic level,
quantum physics, he realized that the act of measuring affected the object being
measured. As a result, one could never accurately determine both position and momentum of
an electron with precision. The attempt to reach one of these goals hurt the other, and a
similar phenomenon is found in our everyday lives. In William Shakespeare's Macbeth
(1606), the protagonist is lured to murder the king, Duncan, by the desire for power, an
appetite whetted by witch's prophecies and his wife's encouragement. But when he reaches
the kingship, he finds himself insecure. He attempts to remove threats that decrease his
security, including his companion Banquo and his son Fleance, prophesied to be king. His
lords grow angry and revolt successfully, after witches lure Macbeth into a false sense
of security by further foretelling. In Macbeth, we see that, despite appearances of
paradox, man's goals of comfort and power are forever opposed in increment, though the
two may decline together. 
The power from knowledge causes discomfort. As often has been said, ignorance is bliss.
After Macbeth is promised the throne, Banquo asks why Macbeth is less than ecstatic. Good
sir, why do you start, and seem to fear / Things that do sound so fair? (Act I, Scene 3,
p. 332) Macbeth's new knowledge makes him uncomfortable, as he realizes the implications.
His first thoughts considering murdering Duncan appear, and he is scared. After he
commits the murder, Macbeth says, To know my deed, 'twere best not know myself. (Act II,
Scene 2, p. 347) Knowing that has committed such a vile act makes him uncomfortable. It
will be difficult to act innocent and to deal with his guilt. When he later decides to
murder Banquo and Fleance, he tells his wife, Be innocent of the knowledge, dearest
chuck, / Till thou applaud the deed. (Act III, Scene 2, p. 359) Hecate sets Macbeth up
for his final fall, explaining her strategy, 
As by the strength of their illusion
Shall draw him on to his confusion.
He shall spurn fate, scorn death, and bear
His hopes 'bove wisdom, grace, and fear.
And you all know security
Is mortals' chiefest enemy. (Act III, Scene 5, p. 365)
The security provided by the second set of predictions is only fleeting. Feeling there is
no threat to his power, Macbeth acts wildly, bringing his downfall and loss of both
comfort and security. The problem with knowledge was that it was power resulting in a
decline in comfort. 
Those most comfortable have the least power. The enjoyment of security precludes
strength. The Porter delivers an ironic speech on the evils of drink, explaining,
Lechery, sir, it provokes and unprovokes: it provokes the desire, but it takes away the
performance: therefore much drink may be said to be an equivocator with lechery: it makes
him, and it mars him; it sets him on, and it takes him off; it persuades him and
disheartens him; makes him stand to and not stand to; in conclusion, equivocates him in a
sleep, and giving him the lie, leaves him. (Act II, Scene 3, p. 348) While drink may
cause comfort, this is contradicted by its other effects. It takes away the power, the
performance. This recalls the guards, comfortably asleep but not standing guard, the
latter their condemnation, as they are said to stand and kill the king and then stop
standing to. After the murder, Duncan's sons Malcolm and Donalbain decide to forgo the
power of the kingship. Says Donalbain, Where we are / There's daggers in men's smiles;
the near in blood, / The nearer bloody. (Act II, Scene 3, p. 351) He realizes that his
father was murdered because of the position he was in. It would be much safer to not be
king, despite the loss in power, because the threats are too great. Power serves as both
a blessing and a curse. 
Gaining power causes discomfort. When trying to gain power, hoping to increase their
pleasure, people find themselves wracked with guilt and paranoia. Macbeth sees how lucky
the dead and powerless Duncan really is when he comments 
In restless ecstasy. Duncan is in his grave;
After life's fitful fever he sleeps well.
Treason has done his worst; nor steel, nor poison,
Malice domestic, foreign levy, nothing,
Can touch him further. (Act III, Scene 2, p. 358) 
Duncan has no power but faces no threats either. He is much safer than Macbeth, who lives
in fear of losing the throne. As he observed, To be thus is nothing, / But to be safely
thus. (Act III, Scene 1, p. 355) His power as king wasn't really as great as he though it
would be, and his power is really for nothing because he feels so threatened. The same
idea is found again when his wife opines 
Nought's had, all's spent,
Where our desire is got without content.
'Tis safer to be that which we destroy
Than by destruction dwell in doubtful joy. (Act III, Scene 2, p. 358) 
Everything they had done to gain the power they desired just led to greater discomfort,
as they found the dead were much happier than they. Macbeth echoes her thoughts, saying 
Better be with the dead,
Whom we, to gain our peace, have sent to peace,
Than on the torture of the mind to lie
In restless ecstasy. (Act III, Scene 2, p. 358)
After the murder, Lady Macbeth is troubled by feelings of guilt, making her sleep fitful
and uncomfortable. Out, damned spot! Out, I say! One- two -why then 'tis time to do't.
Hell is murky. Fie, my lord, fie! A soldier, and afeard? What need we fear who knows it,
when none can call our power to account? Yet who would have thought the old man to have
had so much blood in him? (Act V, Scene 1, p. 382) Lady Macbeth is suffering from an
illness of her own cause. The power brought with it much suffering and trouble. 
Though people seek both potency and pleasant security, the two ends are in conflict. The
power of knowledge and the pursuit of power lead to a decline in comfort, and those
without power find the most comfort. Macbeth and his wife find power to be troublesome,
with those they killed even enjoying a more pleasant life. Like trying to measure two
factors with precision, trying to reach both goals to a high degree is impossible. At the
same time, the two are able to decline together. I myself have felt the problem of this
paradox. Much of my power make me uncomfortable. For example, when I have to make
important decisions or when I know more than I want to. A balance needs to be found
between complacent security and dangerous pursuits of power. 
Bibliography
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