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The Terror of Madness in "The Tell-Tale Heart"
This essay explores the technique of madness utilized by Edgar Allen Poe in "The Tell-Tale Heart." -- 811 words; MLA

"The Tell Tale Heart"
A look at the role of the narrator in the horror story, "The Tell Tale Heart" by Edgar Allan Poe. -- 1,580 words;

"The Tell-Tale Heart"
This paper discusses Edgar Allan Poe's "The Tell-Tale Heart" as a psychological thriller. -- 2,145 words; MLA

Terror in "The Tell-Tale Heart"
An analysis of Edgar Allan Poe's theme of terror and fear in "The Tell-Tale Heart". -- 1,336 words; MLA

"The Tell-Tale Heart" by Edgar Allen Poe
A review of the short story "The Tell-Tale Heart" by Edgar Allen Poe. -- 1,070 words; MLA

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TELL TALE HEART

Tell-Tale Heart
"TRUE!--nervous - very, very dreadfully nervous I had been and am; but why will you say
that I am mad?" Edgar Allen Poe shows us the dark part of human kind. Conflict with in
ones self, state of madness, and emotional break down all occur within this short story.
The narrator of the story is a mad man that is haunted by his idea that the old man has
an evil eye. 
There are two conflicts that occur with the story: internal and external. The internal
conflict is the narrator's guilt over killing the old man forces him to believe that he
hears the dead man's heart beating. "I talked more quickly-more vehemently; but the noise
steadily increased.". Ones owns conscience can only take so much before the person breaks
down. "Oh God! What could I do? I foamed-I raved-I swore! I swung the chair upon which I
had been sitting, and grated it upon the boards, but the noise arose over all and
continually increased." 
The external conflict is the eye itself; the narrator feels that the old man's eye is
always watching him in turn makes him think he can read his mind. "It was open-wide, wide
open-and I grew furious as I gazed upon it. I saw it with perfect distinctness-all a dull
blue, with a hideous veil over it that chilled the very marrow in my bones." A madman can
only take so much when he fixated on an eye.
State of madness is very implicit in this case. The fact that the narrator was way too
overly patient and dedicated to stalking the old man night after night, at midnight,
seven days before he decides to commit his evil deed. Was obviously the act of a keen
madman. "Oh, you would have laughed to see how cunningly I thrust in! I moved it
slowly-very, very slowly, so that I might not disturb the old man's sleep. It took me an
hour to place my whole head within the opening so far that I could see him as he lay upon
his bed." The narrator keeps implying that he is very, very dreadfully nervous. "I knew
that sound well, too. It was the beating of the old man's heart. It increased my fury, as
the beating of a drum stimulates the soldier into courage." This also gives us the reader
the hint of him being mad. When ones actions that are thought out with knowing the harsh
consequences are a key sign to madness.
Basically what I think Edgar Allen Poe is trying to imply to us is that everyone holds a
little madness within and subconsciously. We must fight the urge and accept it fully, to
be excepted and considered normal. Because everyone's got to do it. 
The emotional feeling of the narrator are those of the depressed. He is neither shy or
outgoing. He thinks he is skillful and not mad. "If you still think me mad, you will
think so no longer when I describe the wise precautions I took for the concealment of the
body." He states this because he is trying to persuade the reader into thinking he's
smart therefore making the reader come up with the idea how could you be mad if your
smart.
He does not seem to be caring, yet he does state he loved the old man. "Object there was
none. Passion there was none. I loved the old man." He is dishonest though for he wasn't
going to tell the police about the dead body until his subconscious thoughts made him
believe that they too heard the horrifying heart beat of the old man. Which caused his
emotional break down.
Ones own subconscious mind could create emotions that can persuade one to do deeds in
which he/she never thought of. Either it be good or bad like the narrators feelings
towards the old man's eye. Emotions are those not to be put aside or forgotten about. But
should be dealt with and conditioned to a norm. Mind over matter. 

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