FREE ESSAY ON WOMEN HOLLERING CREEK |
College Term Papers - Instant Download(sponsored links) "Woman Hollering Creek"This paper discusses Sandra Cisneros' collection of short stories "Woman Hollering Creek", which examines the lives of Mexican-American women on both sides of the border. -- 1,810 words; The Inferior Women of Short Fiction This essay discusses the image of women in Anton Chekhov's "The Darling"; Kate Chopin's "The Story of an Hour"; Sandra Cisneros' "Woman Hollering Creek: and other short stories" and Charlotte Perkins Gilman's "The Yellow Wallpaper." -- 1,140 words; MLA Mexican-American Women in Literature This paper compares the treatment of Mexican-American women in Sandra Cisneros' collection of stories, "Woman Hollering Creek", Arturo Islas' novel "The Rain God", and Cherrie Moraga's non-fiction work "Loving in the War Years": Sexuality, relationships a -- 2,250 words; Gerald Stern's "The Buffalo Creek Disaster" This paper discusses the events of this story and the details of the landmark lawsuit are retold in Gerald Stern's "The Buffalo Creek Disaster". -- 925 words; The Buffalo Creek Disaster An in-depth overview of the 1972 Buffalo Creek disaster which killed over 100 people and the long-term effects on the communities affected. -- 3,123 words; MLA |
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WOMEN HOLLERING CREEKThis wonderfully written story by Sandra Cisneros details the life of Cleofilas, the main character. Cleofilas deals with several problems during her childhood and continuing on into her marriage. The story never describes any significant relationship with her mother and the negative effects of this can be clearly seen throughout Cisneros' piece of work. Cleofilas instead turns to the television, particularly the telenovelas, for a female role model in her life. After Cleofilas was married, her husband became terribly abusive towards her. Because Cleofilas had no real female role model in her life, she did not know any better and allowed herself to remain in an abusive relationship. 2. Cleofilas was an only child and as a little girl, did normal things such as going to the movies, playing with friends, and visiting the local soda fountain. Like most young girls in Mexico, Cleofilas enjoyed watching telenovelas. She would frequently visit "a girlfriends house to watch the latest telenovela episode and try to copy the way the women comb their hair, wear their makeup" (44). The telenovelas depicted the perfect life to live. The men and women were all very beautiful and lived rich, comfortable lives. 3. The telenovelas were Cleofilas' guide for learning about love. She fantasized of finding her true love, "the great love of one's life" (44), just like the beautiful models always did. Although often in the telenovelas, hearts were broken and betrayal was common. Cleofilas accepted that love was not always perfect but still believed, "to suffer for love is good. The pain all sweet somehow. In the end..." (45). 4. As Cisneros' story progresses, she explains that Cleofilas and her husband were very much in love. Cleofilas never thought that her new husband, the man she would spend the rest of her life with, would ever strike at her. "She had always said she would strike back if a man, any man, were to strike her...The moment came, and he slapped her once, and then again, and again...but she didn't fight back...as she imagined she might when she saw such things in the telenovelas" (47). Cleofilas did not know how to react to her husband hitting her. She had never imagined that he would ever do such a thing. 5. Abusing women is wrong in all cases. Cleofilas was unable to fully realize this and waited too long to leave her husband. She worried about all the bad rumors that would spread if she left her husband publicly. If Cleofilas grew up with a strong female role model in her life, she probably would not have stayed with her husband as long as she did. From the beginning, Cleofilas could have seen the trouble signs and left the situation. The telenovelas only represented a fantasy world and those type stories did not exists in the real world. |
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